Barrie, a band composed of five musicians from around the world who have settled in New York, has crafted a debut album that exudes a sense of dreamy optimism. Tracks like 'Tropical' and 'Teenage' are synth-laden journeys that build into oscillating waves, capturing the exhilaration of embarking on something new. Even the faster-paced 'Chinatown', with its computer game-like intro and staccato electronic keys, maintains a laid-back vibe.
As the album progresses, 'Saturated' and 'Geology' take a more subdued tone, with the former hinting at a guarded love song and the latter reflecting on the experience of a crush. The enigmatic 'Casino Run' features vocals from each band member, showcasing the diverse range of influences that come together in Barrie's music.
Throughout the album, synth sounds dominate, evoking images of a sun-soaked LA road trip or the frenetic energy of a bustling Manhattan. The production on tracks like 'Tropical' adds a warm vintage layer, with the crackle of a record player lending a nostalgic touch. The Broadway piano line on 'Clovers' harks back to the band's roots while also transporting the listener to a neon-drenched noir setting, reminiscent of a Ryan Gosling film.
One of the standout features of the album is Lindsay's voice, which glides effortlessly alongside the instrumentation. Her wistful delivery adds depth to the album's overall daydream-like ambience, conveying a sincere and otherworldly quality.
As a whole, 'Happy To Be Here' is a stunning and experimental debut that seamlessly blends progressive elements with dreamy synth-pop. Each track has its own distinct identity, making them memorable in their own right. It's an album that invites listeners to get lost in its reverie, perfect for those moments when you're in the mood for something truly unique and captivating.
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